Fanfiction and fanart generally exist far away from the exhibitions of highart, but in the age of the internet entertaining parallels sometimes occur between how online denizens engage with the media love and the cult classic of fine art exhibitions. Among these cult classic exhibitions is Live In Your Head: When Attitude Becomes Form which was put together in 1969 by curator Harald Szeemann at the Kunsthalle Bern in Germany. This exhibition was revolutionary in more than one way, perhaps most notably in the way that it shifted the view of a curator as a kind of facilitator who worked with the collection of the institution where they worked, to something much closer to an artist in their own right. That shift is worth considering (and is the topic my professor actually received a paper on) but I would also like to discuss the 2013 reinstallation of When Attitudes Become Form as part of the Venice Biennale as a kind of curatorial fanfiction that seeks to mimic the original work without being fully able to capture the spirit of what made the original great. Anyone who engages with fan culture online will know that there are some combinations of fic style and fandom that work better than others though and the 2013 reinstall of When Attitudes Become Form seems to me to be one of the worst types: a self insert.Read More »
I will probably never be in a mosh pit. In fact it is kind of unlikely that I will ever experience live music outside of the classical genre. My life long sensory processing disorder makes the concert atmosphere sound both unappealing and inadvisable so I’m not even that upset about it. However, that doesn’t mean I don’t get curious about why others enjoy these kinds of wild, high energy situations. But I had yet to find someone who was able to explain the appeal in a way that made sense within the context of how I experience the world. Hank Green seems to be the one who had the magic recipe though because in a four minute YoutTube video he was able to explain why he liked mosh pits in a way that both celebrated the physical experience of being in one but also the context of these experiences. Whether or not he intended it as such, I think this video is an ideal example of how to speak about experiences that are inherently inaccessible in a way that fosters understanding and connection.Read More »
For most readers David Robertson’s The Barren Grounds will be in many ways a familiar stroll through something similar to C.S. Lewis’s Narnia. But despite all the ways in which this new Candian book for young readers parallels the classic story, The Barren Grounds is a powerful challenge to European ways of knowing that challenges readers of all ages to think about their own role in colonialism and through, on the land. These are themes that the target age demographic of the book might not be able to articulate, and I don’t want to make the entire argument for what young readers may or may not get from the book here, but as older readers of a story meant for children there are surprising layers which challenge set perspectives of the world. In particular I was continuously struck by the ways in which notions of ‘plenty’ and ‘enough’ were recontextualized in unfamiliar ways.Read More »
Philosophers, historians and museum professionals more generally have spent a good deal of time and energy debating the utility and purposes of art and artifacts; especially as they are contextualized by display in institutions. However, these discussions are often inaccessible and largely irrelevant to the ways that most people perceive and consume these objects. I read an exceedingly long narrative article by Charles Homans called “The Dead Zoo Gang” this week and found it an interesting exercise in considering the way historical objects are valued and utilized by different groups. “The Dead Zoo Gang” is an article about the theft of rhino horns by a network of Irish criminals, and ties into the tension between utility and philosophical value of historical objects. As museums think about how to make their practices less colonial and paternalistic I think this article and the case it describes offer different perspectives on the ways in which people outside of the academy interact with the objects of display.Read More »
I really love writing pseudo-academic rants about fantasy and science fiction books – it’s an opportunity to dig into what makes my favourite genres work and occasionally a few people also like to read what I write. But I am about to start my final year of my undergraduate in museum studies and as I move towards applying to graduate school I am looking to expand the kinds of things I write about (also post more consistently through the school year but that is a bit of a pipe dream).
That isn’t to say that there won’t still be posts about fantasy books but there is also going to be more pieces that relate to some of the wider reading that I do. Whether it be thoughts on academic papers, interesting internet subcultures or real-world creativity I am always interested in how information is shared so that the greatest number of people can enjoy it. If you have found the kind of nitpicking and analysis that I put into my posts about books interesting, I think that you might enjoy the expanded content that is coming to the blog.
I will also be changing the appearance of the blog so things will look quite different in the coming weeks alongside the arrival of different types of content.
So in general, change is coming, and I hope you will stick around.
There is nothing particularly wrong with young adult fiction, it makes readers out of people who might not otherwise pick up a book, but it does rely on a different set of tropes. The ‘magic pixie dream girl’ trope is one of many to becoming a mainstay in teen books and is also the subject of mocking from the wider literary world. Some of that mocking is well deserved as it speaks to the continuing unrealistic representations of young women in media, but other aspects are just traits that make characters interesting to read about – especially in the kind of light fantasy that dominates YA books. The Raven Cycle by Maggie Stiefvater makes at least a marginal attempt to subvert this trope by having a cast of magic pixie dream boys instead. The boys are the compelling characters of the story and have the kinds of quirky, forceful personalities that are associated with the dream girl trope. Whether it is an intentional subversion or not, the Raven boys show off the best of a trope at the heart of many light fantasy books where traditional fantasy archetypes would seem out of place.Read More »
Lord of the Rings is not known for its subtle layers of moral complexity. There is no flicker of doubt regarding Sauron’s evil plans or the innate goodness of hobbits. JRR Tolkien was consistent in his use of clear moral coding both with characters and with world building which is particularly clear in the contrasting forests of Mirkwood and Lothlorien. It is a view of nature that is either wholly malevolent or wholly benevolent. There is a power in Tolkien’s forest that moves a reader to either fear or awe and occasionally a bit of fearful awe. The forests of the real world are not accompanied by such clear moral coding but is often able to provoke very similar emotions when one is immersed in them. The nature of the real world is indifferent to people, beautiful without the implication of virtue and dangerous without necessarily being out to get you.Read More »
Note: I have not read the rest of the books in the Darker Shade of Magic series, this is an opinion formed purely on the way the first book was written and my predictions about how the rest of the series panned out could easily be wrong.
It’s a fine line between subtly and cheesiness in most writing. This is especially true when the author is attempting to give attentive readers some insight into future plot twists. V.E. Schwab wavers across that line and the reading experience in A Darker Shade of Magic is heavily impacted by how willing the reader is to buy into both Schwab’s writing and their own intelligence. There are moments where expectation is built up and then allowed to sputter out while in other instances the hints seem less like hints and more like flashing neon signs. In a book with intriguing world building and an interesting cast of characters I found myself often willing to give the author the credit, but it is not the kind of masterful construction that leaves the reader in awe.Read More »
The notion of alternate universes lives in a strange place in popular imagination. It is used by popular movie franchises, debated by science and the topic of the occasional joke. The multiple universes of C.S. Lewis’ Chronicles of Narnia predate most of these interpretations and their presence is often forgotten within the wider image of Narnia. This image was somewhat reworked in Lev Grossman’s Narnia inspired Magicians books but the utilization of the multiverse remained quite similar. These books demonstrate the limitations of the notion of alternate universes because the readers are only able to focus on these worlds one at a time. So, in these conceptions the multiverse becomes a kind of back closet where characters and ideas can be shoved for later use before being pulled out at the appropriate moment. Both Lewis and Grossman us this strategy to great affect with good writing making the movement in and out of the multiverse feel smooth and blended with the more singular world of their stories.Read More »
Characters looking into mirrors for the sake of the audience getting to know their appearance is a standard devise in film and literature. However even in the visual medium of portraiture there are artists who step beyond pure physicality of their subjects to bring the viewers into a deeper consideration of a person. These abstract portraits can be powerfully emotional and have a much fuller sense of a whole human because there is not easy mental image being formed. Works like Rebecca Belmore’s Mr. Luna are windows into deep personal relationships and demonstrate what is possible when an artist moves beyond traditional conceptions of portraiture. It is not unlike the deep inner life that stream of consciousness writing brings to classic books like James Joyce’s Portrait of the Artist as a young man. For the viewer or reader of such works the impact comes from the emotions and connections of the person being presented, not some meticulous description of physical characteristics.Read More »